![]() In any case, and particularly after watching a video of Hideki Goto, master baren maker, from the 2107 International Moku Hanga Conference, I decided it was time to buy a better baren. Eventually I bought a murasaki baren from McClain's Printmaking Supplies. I decided that a simple design was probably the best way to test it. I also decided to use a small 5.75x8 inch Shina block since it was just a test. That made some sense, until I saw all my carved lines crumble in front of me as I tried to carve them. It reminded me of my first first Chinese brush paintings from many years ago. The ink on the brush seemed to almost leap from the brush to the paper where it created a huge blob, before the brush even touched the paper. The faculty will offer alternative assignments if conditions or illness prevent students from accessing our synchronous meetings, which will allow students to earn comparable credit.Here the somewhat thin line seemed to break before I'd touched the carving knife to the wood. are optional and additional that may provide a means of contemporary exploration of the traditional Japanese woodblock printing techniques to define a unique and innovative style of expression! Other materials such as watercolor, watercolor pencils, color pencils, etc. This will include traditional rice paper for printing, basic carving tools and sharpening stone, bamboo baren, brushes, palette, nori (rice paste), and black Sumi ink. Students will be required to purchase a basic supply kit that will be theirs to keep. Students should be prepared to invest 8-10 hours a week to complete all projects outside of class sessions. Students will learn wood carving, inking, and hand-printing with water-based ink from a simple home studio that only requires a table and water for clean-up. Through step-by-step demonstrations and video tutorials, students will be expected to take notes and work a-synchronistically (independent) during the week. Working in a collaborative manner, there will be opportunities to hold class critique sessions for peer review and also post to a class blog in Canvas. Regularly scheduled synchronous (together) virtual meetings will take place once a week. A computer and access to the internet are preferred but not required, a phone may be used to connect during class sessions, all assignments must be submitted for review at the end of the session attended. Assignments are supportive of the beginner to advanced student.Īll work will be conducted remotely, using Canvas and Zoom. This course is available for a full 10-week session earning 8 credits, or an introductory first 5-week session earning 4 credits. In this online-based summer program, traditional methods of Eastern printmaking will be explored through a Western lens. Subject matter will be open for the student to decide, and the technical process will be influenced by the historical practices of Japanese printmaking. Through investigation of printing techniques dating back to the Edo period (1603-1868) for the style known as Ukiyo-e, this class will explore and demonstrate a close appreciation of nature in the practice of art-making. ![]() Art and nature come together in this hands-on exploration of Mokuhanga printmaking, also known as Japanese woodblock printing. ![]()
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